Allen W. Clowes Fellowship

Named in honor of philanthropist, civic leader, arts patron, and business executive Allen W. Clowes, the Clowes fellowship has been awarded annually to a fine arts scholar since 1998. Clowes was the son of the eminent chemist and research director of Eli Lilly, Dr. George H.A. Clowes, and Mrs. Edith Clowes, a leading figure in Indianapolis education and the arts. Clowes studied at Harvard University and became a Naval officer during World War II. His business career included specialization in oil investments and executive leadership of philanthropic, community, and arts organizations.

The fellowship was endowed by the Clowes Fund Inc., the family’s charitable trust where Clowes served as the President and Treasurer. The Fund’s primary goal is to perpetuate the care and public display of the Clowes Collection of art and a broad mandate to support education and the literary, fine, and performing arts.

1998–1999Jaroslav T. FoldaUniversity of North Carolina at Chapel HillThe Art of the Crusaders in the Holy Land: 1187–1291
1999–2000Susan LangdonUniversity of Missouri, ColumbiaGender and Society in Early Iron Age Greece
2000–2001Dominic M. LopesIndiana University, KokomoLife Drawing: Pictures, Perception and Value
2001–2002Nicholas FrankelVirginia Commonwealth UniversityThe Discourse of Decoration: Ornament and Design in Victorian Britain
2002–2003Annabel J. WhartonDuke UniversitySelling Jerusalem: Towards an Historical Economy of Images
2003–2004Carolina BruzeliusDuke UniversityThe Mendicant Challenge and the Cathedral Response: Lay Burial and its Impact on the Medieval City
2004–2005Bruce RedfordBoston UniversityDilettani: The Antic and the Antique in Eighteenth-Century England
2005–2006Brenda SchildgenUniversity of California, DavisHeritage or Heresy: Preservation and Destruction of the Cultural and Natural Environment
2006–2007Zsusanna GulásciNorthern Arizona UniversityFormation of Mediaeval Book Art in West and Central Asia
2007–2008Isabel WünscheInternational University, Bremen, GermanyOrganic Visions in Modernism: The Organic School of the Russian Avant-Garde
2008–2009Nicholas BockUniversity of LausanneAbout Titles
2009–2010Irena Dżurkowa-KossowskaPolish Academy of Sciences, WarsawReinventing Historic Styles: Central European Art in the 1920s and 1930s
2010–2011Lawrence NeesUniversity of DelawareEssays in the Margins of Early Islamic Art
2011–2012Susan WebsterCollege of William & MaryThe Conquest of European Architecture: Andean Masters and the Construction of Colonial Quito
2012–2013Marcia KupferIndependent ScholarFrom Panoramic Survey to Mirror Reflection: Art and Optics in the Hereford Mappa Mundi
2013–2014Louise RiceNew York UniversityConclusions: Art for the Academic Defense in Seventeenth-Century Rome
2014–2015Bonna WescoatEmory UniversityThe Sanctuary of the Great Gods
2015–2016Kate FlintUniversity of Southern CaliforniaFlash! Photography, Writing, and Surprising Illumination
2016–2017Nancy WickerUniversity of MississippiViking Arts in Scaninavia and across the Viking Diaspora: Patrons, Producers, and Consumers from the Fifth Through the Eleventh Centuries
2017–2018Ann ReynoldsUniversity of Texas at AustinIn Our Time
2018–2019Weihong BaoUniversity of California, BerkeleyBackground Matters: Set Design and the Art of Environment in Modern China
2019–2020James van DykeUniversity of Missouri, ColumbiaThe Social Production of Otto Dix
2020–2021Mrinalini RajagopalanUniversity of PittsburghMarks She Made: The Art and Architecture of Begum Samru, 1803–1836
2021–2022Maggie M. CaoUniversity of North Carolina at Chapel HillPainting and the Making of American Empire‚ 1830­–1898
2022–2023Catherine RoachVirginia Commonwealth UniversityThe Shadow Museum: A History of the British Institution, 1805–1867
2023–2024Abigail SusikWillamette University Afrosurrealism and Anti-racism
2024–2025Deborah Mauskopf DeliyannisIndiana University Bloomington“To Rival the Temple of Solomon”: Splendid Churches and Bishops in Early Christianity